download the free college audition checklist pdf
a complete guide (and downloadable checklist!) for rising seniors getting ready for their college audition journey.
so this one time, i was watching a video audition. and while the applicant was playing, some random guy was just laying on a couch right next to them.
like JUST LAYING THERE, TAKING A NAP. seriously.
i obviously couldn’t take my eyes off of him during the entire video. and halfway through one of the pieces, he ROLLED OVER.
don’t do that.
why?
i feel i shouldn’t even have to explain this one. but since someone actually sent that video in, i guess i do.
the audition judge (someone like me) is going to be distracted. and they'll think that you don’t pay attention to details.
you are almost definitely going to make an audition video at some point.
probably this year.
the national youth orchestra video is due november 15th and juilliard prescreening is due december 1st, for instance.
i want to help you make a better audition video!
so today i made a video about 3 ways you can screw up a video audition, and, of course, how to avoid those rookie mistakes.
download the free college audition checklist pdf
a complete guide (and downloadable checklist!) for rising seniors getting ready for their college audition journey.
it’s episode #7 of the auditionhacker podcast, and i’ll go over:
how i spent 6 months perfecting the 12 delécluse études,
the special strategy i used in preparation, called “the magical shrinking self-recording workflow”,
how preparation needs to be structured for a recording vs. a live audition, and
my best tips and strategies to make a recording session go smoothly.
it’s episode #6 of the auditionhacker podcast, and i’m going over:
the legendary and now-defunct practice of challenges,
adopting the olympian mindset as a musician, and
the most accurate indicator of future audition success.
i've worked with hundreds of musicians on audition preparation. and nothing - NOTHING - has been as effective and life-changing as when they start self-recording the right way.
imprecise rhythm is something that can get you cut from an audition IMMEDIATELY (regardless of your instrument). and great rhythm is something that an audition committee can sense, both consciously and subconsciously. hearing someone play in the pocket just feels good.
well, i have a few tricks up my sleeve to straighten out my rhythm, and today i'm sharing one of the most effective strategies.
in today's episode, i'll go over:
my audition journey and how i ended up winning the met opera job,
3 of my favorite audition hacks, and
the one thing that's so much more meaningful than the result of the audition.
things i do on audition day:
warm up by playing on the hotel pillow,
watch vast amounts of tv shows on my phone, and
never drink coffee.
when i was in detroit in february i got to interview three great DSO musicians on how they approach audition day. pretty fascinating to see how their approaches are so different from each other.
i’m endlessly fascinated with how musicians practice (as you know). so i was fortunate to talk to augustin hadelich, international violin soloist, about how he gets ready to play a different concerto with a different orchestra every week.
it's episode #8 of the auditionhacker podcast, and i'll go over my best methods for getting better feedback.